At little Dark One Productions, the cinematic work speaks for itself - bold, unflinching, and meticulously crafted from the ground up. Every frame is shaped with intention, every story approached with fearless honesty. Nothing is off-limits. Light or dark, brutal or beautiful, I lean into the extremes to uncover what's real. I'm not afraid to tackle heavy, complex subject matter, and I don't believe in playing it safe. My work is laced with a distinctive Horatian voice - sharp, satirical, often dark, and always deliberate. You won't find anything anodyne in my screen-formula. Every choice, every frame, every line of dialogue is there for a reason. As a self-shooting writer/director and editor, I thrive on having intimate access to every facet of a production. I'm at my best when I can oversee the entire creative process - whether I'm directing performances, building props, choreographing fight scenes, or rigging lighting setups. From production design and art direction to camera operation, armoury supervision, and post-production, I don't just dabble - I commit fully. That attention to detail, even in the smallest elements of mise en scène, is what makes  my work stand out and keeps collaborators coming back. I know exactly what I want from a project, but I also know how to inspire a cast and crew to push themselves to achieve it. My sets are fuelled by purpose, precision, and passion - no wasted time, no vague direction, just clear vision and collective drive. From childhood stop-motion Lego films to HETV drama and feature films - it's been one hell of a journey so far with the most exciting chapters yet to unfold.