
Wallace knows his time is running out.
With his body failing and the world growing smaller each day, he agrees to take part in an experimental virtual reality
programme with little expectation that it can offer him anything more than a distraction.
Instead, it gives him the one thing he thought he had lost forever. Wilma. His childhood best friend.
Separated by the passage of time rather than choice, the two reconnect through a shared simulation where age no longer defines them. Free from pain, illness and the quiet cruelties of growing old, they become children once more—chasing adventures that adulthood had quietly stolen away.
Short & Sweet is not a story about escaping reality. It is a story about finally embracing it.
As Wallace's final days draw near, every shared moment becomes proof that technology does not diminish our humanity—it amplifies it.
It allows two old friends to laugh without pain, dream without limits, and say everything that a lifetime left unsaid.
Tender, uplifting and quietly profound, Short & Sweet offers a hopeful vision of the future. Where others see technology as the end of human connection,
this piece imagines it as its greatest achievement: a bridge between generations, between memories, and ultimately, between people.
Because the greatest technology will never replace what makes us human. It will remind us of it.






.png)
Short & Sweet is a short film starring David Bradley, made in support of Birmingham Children’s Hospital and in memory of Annabel Greenhalgh, an Alcester schoolgirl.
The film grew out of a collaboration with 'Amelia Webster' and the band 'And The Sunset', whose song 'Short and Sweet' became the spark for the story.
Rather than making a traditional music video, we wanted to build something with a life of its own — a little film that could stand
on its own two feet, with the song woven naturally into it.
And, like most films made without a Hollywood-sized bank account, we had to be inventive. We shot the entire thing across two days in Warwickshire, with a small skeleton crew, a Sony FX6, and a healthy willingness to throw ourselves into whatever the day required. There were locations to wrangle, scenes to
squeeze into the schedule, equipment to lug around, weather to negotiate and the usual collection of things that inevitably go
slightly wrong when you're making a film. Fortunately, there was also a lot of laughing.
Working with 'David Bradley' was a particular highlight. Having an actor of David's experience bringing the character to life gave the film an energy and warmth that you simply can't manufacture. With such a small crew, there was also something wonderfully immediate about the process —
everyone pitching in, solving problems on the fly and getting stuck into whatever needed doing.
The result is a film rooted in memory, connection and the people we leave behind, but it was made with plenty of warmth, humour and a genuine sense of fun. That felt important. While the reason for making the film is deeply personal, we wanted the experience of making it — and ultimately watching it — to feel alive.
We're incredibly proud of what we managed to pull together in two days, with a small team and a lot of enthusiasm.
Short & Sweet is a film made with love, a little bit of chaos, and the belief that you don't necessarily need a huge production to tell a story that matters.























































